—:— A C T I —:—
SCENE : —
FILIPPoO LOSCHI'S GARDEN. A wall
across the back partly hidden by trees.
and rather high. On the other side,
apparently separated from it by a
road. Church towards, houses, and in
the distance hills can be seen. R.
F. six wide steps lead to a platform
on which three pillars support a roof
forming a vestibule. This vestibul
R. B. is separated from the façade
of the low house. In the middle of
this façade is a door leading into
the house. Three paths come together
in the foreground, one from L. F. one
from R. B. and one going to the back
of the house. The third path join
that of the L.D.F. and Moses itself
after a bond in the backward. See
Diogram. near the house in front a
large tree, with a marble seat under
it. A hot summer afternoon.
FILIPOPO lying on the bench, with his
DISCOVERED:
urms under his head. near him 1.
AGGSTIO DOSSI, with a lute in his
hands. He playes the last chords and
lays the lute down. A cause.
Filippo
Is that the end?
Agostino
Yes.
Filippo
Did you write the song?
Agostino
I'd rather not say: Yes.
The wordspargested the melody
to me, and this is the result.
Filippo
I should like to know,
the man who wrote the words.
SCENE : —
FILIPPoO LOSCHI'S GARDEN. A wall
across the back partly hidden by trees.
and rather high. On the other side,
apparently separated from it by a
road. Church towards, houses, and in
the distance hills can be seen. R.
F. six wide steps lead to a platform
on which three pillars support a roof
forming a vestibule. This vestibul
R. B. is separated from the façade
of the low house. In the middle of
this façade is a door leading into
the house. Three paths come together
in the foreground, one from L. F. one
from R. B. and one going to the back
of the house. The third path join
that of the L.D.F. and Moses itself
after a bond in the backward. See
Diogram. near the house in front a
large tree, with a marble seat under
it. A hot summer afternoon.
FILIPOPO lying on the bench, with his
DISCOVERED:
urms under his head. near him 1.
AGGSTIO DOSSI, with a lute in his
hands. He playes the last chords and
lays the lute down. A cause.
Filippo
Is that the end?
Agostino
Yes.
Filippo
Did you write the song?
Agostino
I'd rather not say: Yes.
The wordspargested the melody
to me, and this is the result.
Filippo
I should like to know,
the man who wrote the words.